Close-up of the cover of Routledge's Hindi : An Essential Grammar (2022)

Hindi : An Essential Grammar [Review]

Hindi has sat comfortably amongst Routledge’s Essential Grammars range for some time, offering students the concise, systematic grammatical treatment the whole series is known for. The title appeared in its first edition back in 2007, so a fresh, updated version was a very welcome addition to bookshelves at the end of 2022.

Anyone familiar with my own bookish exploits will know that the Routledge Essential and Comprehensive Grammar series are close to my language lover’s heart. They’re all excellently researched reference and study works, supported throughout with authentic, real-world language. Recent editions have benefitted from an even clearer layout and eye-friendly typesetting, and the Hindi title is no exception. They’re very easy on the reader, particularly in terms of line spacing and table layout.

The book takes the familiar parts-of-speech approach, chunking grammatical elements into particularly brief, easily manageable chapters. This makes for real indexical ease, obvious from the detailed, seven-page contents section. No wading through an amorphous Nouns chapter here! But it’s great for targeted study, too; you could easily tackle a whole section in an hour-long study session, either independently or with a teacher.

As well as the usual amendments and corrections, this second edition offers extended explanations on several aspects of Hindi. These include extra material on flexible word order, ergativity, and politeness distinctions. As with other updates, such as the second edition of the Greek Essential, it’s great to see Routledge’s commitment to keeping the whole series relevant.

Script Support

The book is a winner on another important front, too: alternative script usage. To be fair, if you’re serious about learning Hindi in the long-term, then you’ll probably have started with Devanagari well before picking up this grammar. You might even have studied Devanagari before your Hindi journey like some (ahem). Devanagari is no prerequisite to learning to speak Hindi, of course, and if you’re in it for the casual dabbling, you might not have the time or inclination.

With this grammar, it’s no sweat at all. You can dive into any section of the book and read examples in Devanagari or Latin transliteration. The transliteration is extremely straightforward, too, using capitals to represent retroflex consonants, and the tilde for nasalised vowels. And the transliteration takes nothing away from the book’s commitment to both lanes; this edition still concludes with a substantial section on contemporary script usage, including current trends and recent changes.

Transliteration throughout might sound like a no-brainer, but it’s really not a given with Hindi primers. I’ve been working with Teach Yourself Hindi Tutor recently, and although it’s a truly fantastic and valuable resource, it requires proficiency in Devanagari from step one. Similarly, many beginner’s textbooks provide Latin support only so far, before switching to script after the initial chapters. For some, native script is a choice that definitely comes later on.

All in all, my verdict won’t be a surprise, considering my understandable fanboying of the series: I think this one’s just swell! For Hindi scholars, Indo-Europeanists and dabblers alike, Hindi : An Essential Grammar is a solid title in the series, substantially improved in its new edition.

Filipino : An Essential Grammar, published by Routledge in October 2022.

Filipino : An Essential Grammar [Review]

Only the other day was I heralding the appearance of two brand new Routledge Essential Grammars – and just in time for Christmas, too. So what should land on my doormat this week but the very latest addition, Filipino : An Essential Grammar? There’s no such thing as coincidences, I hear you cry!

Any new language is a welcome addition to Routledge’s solid family of language learning texts, and with this one, it’s a double whammy; it pips the publisher’s own Colloquial series, which still lacks a Filipino / Tagalog title. For a language with upwards of 80+ million speakers worldwide, the book plugs a textbook gap with the solid, practical approach we’ve come to love from the Essential collection.

Filipino : A Concise But Comprehensive Essential

At just shy of 200 pages, the title, penned by Sheila Zamar, is one of the lighter volumes in the series (check out the brilliant Icelandic edition for a true doorstop of a book, for comparison). That said, it’s by no means light on content, divided into well-defined parts-of-speech chapters. Each of these is concise and snappy, but still chock-full of examples of language in use.

Filipino : An Essential Grammar, published by Routledge in October 2022.

As a self-confessed verb obsessive, it’s extremely satisfying to see four very chunky sections (nearly half the book) taken up with a systematic presentation of the verbal system. It’s what you’d expect, given the quite different (and fascinating) classes of Austronesian conjugation, but the exposition and explanation is handled with neat, logical progression. Handily, glosses are provided alongside many of the examples, so you can see exactly what is going on in a given sentence.

(Type)set for Success

If you’re a fan of the series you’ll have already noticed, but I should add a word or two about the excellent formatting of the whole reissued grammar series. From the clean, sans-serif fonts to the clutter-free setting of the tables, the new editions are all exceptionally clear and easy to read. The block-colour covers in blues, aquamarines, crimsons and bricks look both artsy and academically serious at the same time, although that leaves me with one mystery: what do the cover colours signify, if anything? My first thought was language groups or families, but that doesn’t seem to be the case. Perhaps authors have the option to choose their own favourite as a wee thank you for their work. Answers on a postcard in the comments.

Filipino : An Essential Grammar is certainly worthy of its essential title in a not-so-crowded textbook field for the language. Heartily recommended for serious learners and casually interested polyglots alike!

 

A wee book treat to myself: Colloquial Scottish Gaelic (Routledge)

A Book in the Hand (Is Worth Two in the Kindle Library)

Sometimes I forget how much I love to hold a real book in my hands.

Don’t get me wrong. I love the convenience of Kindle titles and other e-formats. Only the other week I was singing the praises of the Teach Yourself enhanced versions. A whole course – text and audio – in a single place (and it adds 0kg to my backpack weight). I still think they’re fantastic.

But sometimes you get a reminder of how satisfying old school is. I had one this week when I finally plumped for a long yearned-for hard copy of Colloquial Scottish Gaelic.

Why had I put it off for so long?

Well, there’s the price of the hard copy, for a start. £35 is a hefty commitment for a book. Especially so, considering that I had access to the electronic version for free through my university library. Not only that, but like many publishing platforms making audio content free, Routledge has put all the audio online. I could access all of the content already!

But for all that, I just wasn’t bothering to use the materials at all. Why? screams the spendthrift inside me.

Fast forward, my Amazon credit spent, and the book proudly on my shelf. I’m picking it up at every opportunity, having a quick nose here and there when I notice it, sitting down for half an hour’s mooch through the pages. I’m even listening to those audio materials and reading along, finally.

So what is so different?

It’s hard to put your finger on just what is so special about a real book. There’s the joy of the tangible ownership of it, perhaps. I made an investment in a thing – now I want to make the most of that thing. It’s almost like you can feel the weight of the knowledge you’ve paid for right in there.

And there’s nothing like using money (or vouchers) to feel the value of a physical object. I admit I get a bit of that as I curate a Kindle library. It’s lovely seeing the digital books line up neatly on those shelves.

But there’s  something simply cosy (or hyggelig, or gemütlich etc.) about holding a real book in your hands, isn’t there?

And sometimes it takes a wee treat to yourself to remind you of that.