Books for learning Greek

Get Ur Greek On : A Week of Word Play Fun

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I continue to work on levelling up my Greek lately. And as ever, it’s trusty old word play and linkword fun that help me get a grip on new vocab.

Thinking up creative ways to break down new words into familiar, memorable sounds can be a challenge. Story-based methods have always helped me, creating lots of funny hooks to grapple with. That said, a couple of them this week have really stretched the limits of my imagination…

Here are a few recent off-the-wall ‘scenettes’ I’ve come up with. I’d ask you kindly not to laugh, but actually, that’s the whole point!

(I’ve just noticed they all begin with α, too – a complete coincidence, as they’re just words related to whatever I was chatting with my iTalki tutor about!)

αποταμιεύω – to save (money)

apotamiévo

The story: I know a girl, Tammy. She hasn’t got much money. A poor Tammy, if you will. And that is why she has to save money! A-poor-Tammy + évo (a pretty common verb ending in Greek) = to save money.

αγκαλιάζω – to hug

angaliázo

Hugs are great, but they can be awkward. Sometimes, I’ll go in for a bearhug and we’ll meet at a really strange angle. Angle + ázo (another common ending!) = to hug.

αηδιάζω – to disgust

aidiázo

I’m actually very good friends with Cameron Diaz (honest – not). But once, she did this really horrible thing. Seriously, I was disgusted. I just screamed AYYYY Diaz, OH! so my feelings were pretty clear. Ay-Diaz-oh = to disgust.

Multi-language Word Play

All fun and games, for sure. And honestly, it can really help with vocab learning.

But if you study multiple languages, one concern might be that your stories get mixed up. When thinking of ‘to save money’ in French, for example (probably something like économiser), the a-poor-Tammy story looms large, and might threaten to blow you off course. In this case, just add an extra layer of storytelling: Tammy lives in Greece, of course. When picturing her, she’s looking forlornly across the bay, ruing her lack of dosh, from the caldera of Santorini.

Sorted!

In practical terms, imaginative techniques like these aren’t exactly a one-stop shop for fluency. The catch is that retrieval still isn’t instant, initially; you have to access those funny memories. What they are, though, is a first leg up to remembering a content word in the flow of conversation – a set of extra grabbers for your word-by-word lookup mental dictionary. It’s the actual use of those words in conversation that really starts to cement their foundations in long-term memory and begin to make them automatically available.

Note to my Greek teacher: when my attention wanders and I appear to be looking into space blankly, I’m thinking of Tammy. Don’t worry – I’ll be right back with you.

Three books for learning Scottish Gaelic

From My Bookshelf : Gaelic Books You Might Have Missed

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I’m an absolute hound for language learning books. Not least when I have a new project – the excitement of a new language is the perfect catalyst for a bookshop raid. And since starting Gaelic a couple of years ago, my little reference library has blossomed.

But it’s not the Teach Yourself and Colloquial course books that spark the real excitement (however wonderful they are, too). Rather, it’s the little gems that are a bit harder to find, the titles you only come across in either really well-stocked shops, or little specialist ones. Often they hail from much smaller publishing houses, too, so have an individuality and authentic voice all of their own.

Here are three of my favourite ‘little finds’ from my Gaelic bookshelf!

A Gaelic Alphabet (George McLennon)

When I started Gaelic, I was – like many – bamboozled by the spelling. With the benefit of a good teacher and lots of hindsight, that system seems completely logical now – perhaps much more so than its quirky English counterpart! But back at the beginning, all that talk of broad and slender consonants, and caol ri caol ‘s leathann ri leathann was utterly alien.

I came across this book long after it had finally clicked, but I’d have loved to find it at the start. McLennon systematically works through all the letters of the Gaelic alphabet, giving copious examples of how words containing them sound. There are lots of nods to the Gaelic world too, making it a true treasure if you’re just starting out on your journey.

Gaelic Verbs Systemised and Simplified (Colin Mark)

I must admit, I have a thing for verbs. When starting a new language, I always go straight for them, eager to find out how to express past, present and future. Maybe it’s the storyteller in me.

Gaelic verbs, like the spelling, might seem to operate in quite an unfamiliar way for the new learner, especially those coming from SVO languages like French, German or Spanish. This book breaks it all down, explaining the quirks from dependent forms to verbal nouns. It gave me the knowledge and confidence to create Scottish Verb Blitz, an app that I still practise with today.

Gràmar na Gàidhlig (Michel Byrne)

I’ve flagged the excellent Gràmar na Gàidhlig before in my pick of post-Duolingo resources, but it bears mentioning again as a golden Gaelic pick. Translated for English-speaking learners from a highly successful purely Gaelic version, it’s a clear and accessible reference and learning guide if you like exploring the nuts and bolts.

It is getting harder to source now, although I’ve seen copies here and there in the second-hand bookshops of Edinburgh, and you can also still buy it direct from the publisher here.

Honourable Mentions

This trio is perhaps at the forefront of my mind right now, as I’ve found myself using them a bit more often lately. But there are so many other perhaps lesser-known Gaelic resources out there, some still in print, others available second-hand.  I can’t leave out Gaelic without Groans, for instance, which is simply from a whole other world, and a cute and quirky joy to read. Then there’s An leabhar mòr (the great book), a more recent compendium of illustrated verse in the language. 

It’s a good sign of continued, thriving interest in learning the language, of course – as well as testimony to the treasure of books, large and small. If you give them a go, I hope you love these titles as much as I do.

The Polish flag. Photo by Michal Zacharzewski from FreeImages

Polish Podcasts for Intermediate Learners

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When you’ve smashed the barrier of your first thousand words or so, course books and learners’ guides simply won’t cut it any more. You need to step it up a level. But it can be hard to find resources that are accessible for learners while still presenting engaging material you want to listen to.

No problem – here are some excellent resources if you’re an intermediate Polish learner and want some fun edutainment as well as a language workout!

Polish with John

There are few teachers more dedicated than Jan to spreading the joy of Polish. He publishes regular and frequent podcasts on many interesting topics, ranging from language learning to history and beyond. Jan has a lovely, clear voice that is easy for learners to understand, and even provides transcripts of each short programme. Highly recommended, and it’s worth supporting the great work he’s doing!

SBS Polish

Strictly speaking, this podcast isn’t aimed at learners. It’s actually the regular Polish news bulletin of Australian broadcaster SBS. However, the stories are broken down into short, digestible clips, and feature material on international current affairs that should be familiar to many listeners. I’ve not found a Polish easy news alternative like the excellent News in Slow… series, but this is the next best thing!

Real Polish

Piotr has been on the podwaves for some years now, building up a loyal band of Polish learners. His programmes are in a longer, documentary-style format, and also feature a chatty preamble where listeners can send in an audio introduction. It’s a nice sociable touch to a great resource, backed up by full transcripts and resources for subscribers.

Polski Daily

This is another great learners’ podcast entirely in Polish. That’s just what you need when you’re aiming to think in the language and not simply translate from your native language when speaking. Like Jan and Piotr, Paulina selects material from a broad array of themes, with a big nod to cultural life in Poland.  On the website you can also enjoy some cosy interviews in the lovely Real Talks with Poles series.

Lepiej Teraz

Radosław is a life coach from Poland who publishes a monthly podcast on many aspects of self-improvement. Like SBS Polish, this isn’t aimed at learners, but rather native speaker professionals. That said, a lot of the themes will be familiar to listeners, so context and gist help. Also, Radosław is another podcaster with a great voice for listening to!

Have you found other gems on your own podcast hunts? Please let us know in the comments!

A bird's feather: the result of exaptation? Image from freeimages.com

Exaptation : Extreme Language Change

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In 1990, linguist Roger Lass transplanted an idea from evolutionary biology to historical linguistics: exaptation.

Exaptation is the repurposing of existing elements for brand new functions. In biology, the classic example is birds’ feathers: originally believed to have developed as heat-retaining insulation, they provided a convenient basis for flight. A lucky accident, if you will. And there are plenty of instances that fit that bill in language change.

Lass’ classic example involves the development from Proto-Indo-European to Proto-Germanic. PIE had a system of alternating vowels (called ablaut) to mark aspect in verb stems. For instance, a present stem might show -e-, while -o- signified perfect and -ø- (zero, or no vowel) was the marker for aorist. Ancient Greek actually preserved that pattern quite well, and Lass gives the examples:

  • Present: leípo (I leave)
  • Perfect: léloipa (I have left)
  • Aorist: élipon (I left)

However, Proto-Germanic did something quite odd. Instead of using it to indicate aspect, it repurposes it to show number in the preterite tense. Look at these examples from Gothic:

  • Present: beitan (to bite)
  • Preterite 1ps: bait
  • Preterite 1pp: bitum

Considering that -a- is the Germanic reflex for PIE -o-, here, we have the same alternation – -e-, -o-, -ø- – but representing something else entirely.

An Idea with Wings?

Cross-discipline metaphors rarely fit exactly like a glove, and it’s clear this isn’t quite like feathers being exapted for flight. For a start, feathers still fulfil both functions: a cosy coat as well as flying apparatus. In general, with exaptation, we’re talking about wholesale transformation of something that had ceased (or was about to cease) to be meaningful any more. Lass called this morphological ‘junk’ initially, but this has been a source of disagreement. Just what is ‘junk’ in a language?

Still, it’s a compelling metaphor, chiefly because it gets the imagination churning. How can things change so drastically in such a short time? What does language look like while it’s changing like this? Does it happen a lot? Can we see it happening now? Sometimes the best ideas are the ones that spawn more questions.

Exaptation hasn’t gained universal acceptance as a theory just yet, some three decades on from Lass’ initial paper. Some say it just boils down to reanalysis, like many similar changes. Others maintain that it’s a very particular direction of reanalysis, so it is unique and worth a place of its own in the textbooks.

Whatever its status, it does throw up some absolutely fascinating examples of extreme change.

You can access Lass’ original 1990 article at this link!

A dark forest, a good setting for an Anki horror story, perhaps? Picture from freeimages.com

Coming Up Blank : An Anki Horror Story

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I lived through an Anki horror story this week. 🧟‍♂️

There I was, skipping merrily through my list of vocabulary, words flying past at a rate of knots. This is going well, I thought, with naive overconfidence.

But then it hit me. I stopped fast in my tracks. Staring blankly at the word on the screen, nothing would rise from the depths of memory. A void. I was peering into the darkness, teetering on the brink. Brain, don’t fail me now.

Then, I scrambled to think back, at the edge of desperation, to the time when I first added that word to Anki. Where did I get it from? Could I just recall what chapter it was in, which website I found it from, where I heard it?

Suddenly, I could see the textbook page, the colour of the background, the shape of the word. Almost sobbing with relief, I realised the ordeal was over.

It had come back to me.

What a close one!

The Right Way To Anki

OK, flippancy aside – why was that a horror story, you ask? After all, my visual memory must be great.

The problem here is that I had fallen foul of the dastardly context effect, and the word was, in essence, tied very tightly to the circumstances I learnt it in. Having to dredge up the exact setting of a vocabulary item on a page to recall it isn’t very efficient in the flow of conversation in the target language.

I only had myself to blame, of course. In my haste to add the word to my Anki collection, I broke the golden rule: only include items in context. That means as few isolated words as possible, and more contextualising phrases and full sentences showing the word in use. Learning dictionary-style does not work (believe me – I learnt that the hard way!).

I’ve seen the results for myself; switching to a more phrase-based vocab drilling routine works wonders for your conversation skills. It’s the rationale behind platforms like Glossika, which you can replicate with your own DIY sentence-based vocab strategy. In short: it works.

So yes, of course I should have known better, guv’nor. But my Anki horror story was a timely reminder to get back on the right track (and we all need those now and again).

Colours and lights make for a multimodal experience, just as learning should be. Picture from freeimages.com

Multimodal Learning for Restless Brains

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I’m always studying something. It’s something that leads friends and family to think I’m some kind of superlearner.

Oh, I wish that were true.

Firstly, I’m always studying because I enjoy what I choose to study. And despite that fact, in many ways, my natural thinking pattern isn’t particularly conducive to long periods of close study. I get bored easily. I daydream. I’m impatient. I’m always thinking of the next exciting thing to learn, not the one I’m currently trying to grasp.

To be fair on myself, these are pretty universal human traits. Most people reading this will see a little of themselves in there, too! So how did friends and family come to think of my erring brain as a particularly effective learning machine? Largely thanks to a few tricks to get around those anti-focus tendencies. In particular, one big trick.

Multimodality

In pedagogy, multimodal usually refers to multi-sensory learning – including visual, audio, kinaesthetic aspects and so on. But the crux of it is variety, satisfying your brain’s craving for stimulation and novelty. In fact, your different modes don’t have to cover the whole spread of senses. They just need to provide an ample range of media and context to give the restless brain regular scene changes.

One thing that really helps me, for instance, is to have both a hard copy and an electronic copy of a text. I switch from one to the other, reading on multiple devices, and in multiple places. I can dip in and out, ten minutes here, ten minutes, there, and my brain doesn’t even have a chance to get bored. It’s a gem of a trick that works for course materials, reference texts and literature.

Multimodal PlanNing

To get the most out of multimodal learning, it’s best to be organised; the first step is always a plan of exactly what you want to get through.

Right now, I’m ploughing through a mountain of book chapters and papers for two linguistics assignments due soon. I know what I have to read and take notes on, and have a tick-list of the material in Evernote.

But to make sure I get through it, in spite of my natural tendencies, I ensure the material is multimodal. I have my reading in a number of formats – PDFs on my phone, tablet, laptop, hard copies in my bag , audiobooks and video summaries where possible – basically, everything, everywhere. Reading in one format and one place to start with, then picking up in a completely different modality elsewhere, really helps stymie reading fatigue.

And a nice side-effect? The range of environments helps beat the context trap, too, not tying your recall to a single backdrop.

When my essays are submitted, and I’m free to return to my language learning materials, one thing’s certain: it’s going to be multimodal!

Repeated colours - repetition in resources like Glossika can be key to securing fluency. Image from freeimages.com

Getting Repetitive : Securing Foundations with Glossika

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I’ve reached a milestone on one of my favourite platforms this week – 8,000 Greek repetitions on Glossika.

8,000 is a weird number to celebrate, I hear you say. Well, yes – I was going to wait until the magic 10,000 to sound the klaxon. But it’s still a nice round number, after all.

And the truth is, I’ve started to see huge benefits even before hitting five figures.

Greek has been my great lockdown revival project. I spent some time learning it in my twenties for travel, but had more or less left it to go stale since then. The decision to use Glossika to revive it was partly one of curiosity, having read the success stories online (admittedly on Glossika’s marketing site!) and dabbled with it a fair bit in the past. But I’d also hit upon the benefits of mass sentence techniques independently, and wanted to try an out of the box technique just for the convenience of a quick start.

A Do-Over From the Ground Up

The thing is, the starter material is actually quite low-level stuff. Many of the A1 and A2 sentences are pretty basic in terms of grammatical complexity and vocabulary. What’s more, this set of basic material is recycled over and over again in sets of sentences that often differ very little from each other. 

But it’s exactly that ground-floor, base-level language that makes up the bulk of everyday speech. Practising this core material so intensively creates a super solid foundation for conversational fluency.

And the effect is really quite astonishing.

Just a year of Greek, and my conversational fluency has surpassed my Polish, which doggedly remains around A2 (B1 if I really try hard – let’s call it B0.5!). My Greek accent and prosody feel quite natural; I’ve developed a Greek voice. And it’s not because Glossika has taught me a raft of complicated grammar and vocabulary. It’s because it has titanium-plated my basic foundations in the language.

In short, I feel comfortable with Greek now.

An Additional Tool

Glossika isn’t a perfect or a totally self-contained system, of course (what is?). For one thing, I wouldn’t recommend it as the sole learning route for a total beginner. I’ve tried it – I felt totally lost. Before starting Swahili last year, I attempted to work through the first set of sentences in Glossika’s A1 course. Without a bit of pre-existing grammar knowledge and general language structure, I found the forms completely confusing. I had more questions than answers.

On the other hand, if you are a returner learner, or already have the basics – even if that’s simply some A1 words and phrases – Glossika’s mass sentence drilling can give your language skills a fuel injection.

As for me, I’m at 8,000 and counting. My next step is to introduce it into my other languages, particularly Polish, which is my lifelong challenge (and frequent nemesis!). It’s about time I gave that a leg-up!

Glossika is a premium product with a price to match, but can prove its worth many times over with a bit of commitment.

Glossika : The Mass Sentence Drill Machine

Don't hit the whisky when your language learning turns to comedy. Picture from FreeImages.com

Married and Drunk : Comedy Moments in Language Learning

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Comedy moments in language learning are pretty much inevitable.

But they make learning fun, too. Unintentional double entrendre, accidential Freudian slips and downright nonsensical gibberish are some of my favourite things about language learning. For one thing, the salience of humour means that you never forget the vocabulary associated with these most unfortunate incidents.

Comedy Cornucopia

Lucky, then, that language provides an endless cornucopia of them. And sometimes it can be the strangest pairs of words that bear an uncanny, confusing resemblance to each other despite being poles apart semantically. A recent favourite duo is ua and -ua in Swahili – flower and kill, oddly enough.

And the language keeps on giving.

Just look at this trio from my recent lessons:

-olewa to marry (a man)
-lewa to be drunk
-elewa to understand

Surely this is a joke Swahili is playing on language learners. Just imagine the comedy misunderstandings! For instance, there is a tiny difference between:

  • ameolewa – s/he is … married
  • amelewa – s/he is … drunk

And…

  • ninaelewa – I understand
  • ninaolewa – I am getting … married

That’s just asking for trouble (or laughs).

Keep It Together!

So how can we keep this sparring vocab items separate? As I’ve found with some dangerously close Greek words lately, sometimes it’s better not to. That is, to learn then in close proximity, embedded in a phrase or short story, so that they remain distinct in meaning.

For instance:

Amelewa kwa sababu ameolewa! S/he is drunk because s/he is married!
Nimelewa, lakini ninaelewa! I am drunk, but I understand!
Anaelewa, anaolewa? Does s/he understand s/he’s getting married?

These are pretty fun to learn. They’re less abstract – you can picture a silly story behind them. You can also practise them almost theatrically, reading them out with feeling. And hopefully, by doing so, you’re moving the comedy from your real-life interactions to humorous tableaux in your learning material. Phew.

It’s so much more effective that learning them as single, abstract and separate items on empty-looking vocab cards.

Learning Old English? Iceland could be a good detour. Picture from freeimages.com.

The Path to Old English – Taking the Long Route via Iceland

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I leapt at the chance to study Old English when the opportunity arose recently. I’m focusing on language change as part of my masters programme, and here was an exciting prospect to explore this in action in my own language.

Disclaimer: I’m a complete newbie. I’ve never studied Old English before. But I was stunned to find out how much of the grammar was oddly familiar. That’s not only because present-day English is the descendant of Old English. In fact, the unexpected boost was due to the fact that I’ve spent so much time with Modern Icelandic.

So how does knowledge of a different modern language help you learn an ancient one?

Well, the Icelandic spoken today is remarkably similar to the Old Norse of a thousand years ago. Its system of inflection is the most undisturbed of all the present-day Germanic languages. Where English, Dutch, Swedish, and even relatively conservative German lost or collapsed their grammatical case endings, Icelandic preserved their intricacy almost in its entirety.

Wind back a thousand years…

Wind back a thousand years, then, and you undo centuries and centuries of change that simplified the systems of those other languages. And at that point, at the end of the 10th Century, English was still young enough to bear a huge family resemblance to its Norse cousin.

Just look at the paradigms for house in Old English and Old Norse:

Old English

Singular Plural
Nominative hūs hūs
Accusative hūs hūs
Dative hūse hūsum
Genitive hūses hūsa

Icelandic

Singular Plural
Nominative hús hús
Accusative hús hús
Dative húsi húsum
Genitive hús húsa

Here you see some recurring themes in these young Germanic languages. For instance, the zero ending of the plural nominative and accusative with strong neuter nouns, the -um of the dative plural and the -a of the genitive plural are all hallmarks of their shared linguistic DNA.

It doesn’t stop there. Besides noun endings, many other features are still shared by Old English and Old Norse at this point – features preserved in Modern Icelandic today. They include the difference between weak and strong adjective endings (which German also clings onto), and sibling sets of personal pronouns (including a dual number), that almost look the spitting image of each other.

Unsurprisingly, you actually don’t have to wind back too many more centuries to get to the point where this pair were the same language (perhaps another 1500 years by one reckoning).

Heavy Lifting Done!

At the simplest level, this little voyage of discovery is just a fascinating observation in its own right. It leaves you wondering just how mutually intelligible the languages still were at that point in time – could Lindisfarne monks, for example, just about make out what the Vikings were shouting at them in that strangely familiar tongue?

Beyond that, however, it also shows the incredible utility of side-stepping from one subject to another related one. So much previous experience in Icelandic can be of use when starting out in Old English. The big grammatical challenge, the heavy lifting of getting your head around case and noun inflection, is already done. Just as it is in different ways, when skipping from German to Norwegian, or from Dutch to Afrikaans, or from Icelandic to Faroese.

It’s certainly a compelling argument for building up your polyglot stash by hopping between fairly closely related languages – a much-loved technique in the community.

Brennu-Njáls Saga

Brennu-Njáls Saga : Easy Routes into an Old Icelandic Classic

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Brennu-Njáls Saga, or the saga of Burnt Njál, regularly ranks as one of the most popular and loved of the Icelandic family sagas. Thanks to its lively, twisting-and-turning and regularly bloody plot, it’s also one of the best-known, in Iceland and beyond.

It makes for fun subject matter, then, on all sorts of academic programmes at all sorts of levels. Needless to say, I was more than chuffed to get the chance to work with it towards my MSc this year. Who doesn’t like a bit of high drama for credit?

That said, as a relative newbie to the tale, it took a bit of prep to enjoy fully the immersion within Njál’s world. It consists of over 150 chapters, with multiple characters – both headliners and a plethora of bit-parts – and as such, it can be dizzying to follow closely. Especially if you are getting to grips with it in the original language.

Thankfully, there are some excellent resources to help out, whether that’s in Old Norse, Modern Icelandic, or English. Here are some of the best routes I’ve found into this exciting, distant world.

Brennu-Njáls Saga for Free

Dipping your toe in the water is the first step. And you can get to know the sagas for absolutely no outlay. Totally free. If that’s not an invitation to give them a try, I don’t know what is!

The Icelandic Saga Database project makes available the entire collection of family sagas in existence, both in the original (with modernised spelling), as well as numerous translations. Brennu-Njáls Saga, with its wildly popular status, is available in six languages. You can read online, or save to read offline as EPUB or PDF files, amongst others.

Brennu-Njáls Saga : The Cook Translation

As fantastic as free is, some of those translations are rather old. For instance, the English translation of Brennu Njáls on the Icelandic Saga project site is the 19th Century version by George W. DaSent.

However, some scholars prefer to set the more modern translation by Robert Cook – this is the edition set on my own university course:

Besides, if I’m getting to grips with a text intimately, I like both an electronic and hard copy; the Cook translation was a no-brainer despite the absolutely adequate older translation in PDF form.

The Perfect Spoken Companion

I find the ready availability of audiobooks also a great support when diving deep into long texts, too. Audible by Amazon have a superb English version available, narrated expertly by a speaker with native Icelandic. I cannot tell you how beautifully he pronounces the many, many personal names:

However, before you buy that, there’s a trick to get it much more cheaply than the standalone list price (nearly £20 at the time of writing). If you purchase the extremely cheap Kindle version (72p, right now!), you have the chance to add WhisperSync narration for £2.99. Oddly, that Kindle version is not the Cook version, as listed – it’s actually the older DaSent translation. However, the narration is the Cook work. Look beyond that minor confusion, and for just a few quid you can listen to the recommended modern translation.

Cowboy Crib Notes

Now, if you have a passing interest in Old Norse or the sagas, you may well have come across Jackson Crawford already. He’s the stetson-wearing academic who shares his nordic knowledge before stunning Colorado backdrops. His video catalogue is prolific and very current – he posts regularly on all sorts of aspects of Old Norse.

Crawford has helpfully published a whole series of recap videos for Brennu-Njáls Saga. They’re straightforward and clear – music to the ears of students trying to get their heads around the dramatic twists and turns. The first part is here:

Easy Access

Finally, if the original Old Icelandic is proving tough, but you still want a taste of the language, there are some wonderful free modern Icelandic resources available via Iceland’s education department Menntamálastofnun (a goldmine I’ve tapped many a time). They are retellings, rather than phrase-for-phrase translations, but offer an easy way in if you want to support your modern language studies too.

The Menntamálastofnun version splits the tale into two parts, available as e-books, the first part here, and the second here.

Takk fyrir, Ísland!

Góða skemmtun!

Whether you’re giving Njáls a go for fun, for study, or both, these are all great places to start. And if it whets the appetite, there is a whole world of material written about the saga. A quick search on JSTOR throws up myriad articles. That’ll keep me out of trouble for a few weeks…

Góða skemmtun / have fun!